Translucent Mediterranean

mesura, resources: Translucent Mediterranean (Fig. 3) — (Fig. 3)
Transparent flower, unknown source

mesura, resources: Translucent Mediterranean (Fig. 4) — (Fig. 4)
Frothy waves captured by Delaney Allen

mesura, resources: Translucent Mediterranean (Fig. 5) — (Fig. 5)
Image by Julia Stotz

mesura, resources: Translucent Mediterranean (Fig. 6) — (Fig. 6)
Jacques Henri Lartigue

mesura, resources: Translucent Mediterranean (Fig. 7) — (Fig. 7)
Don Mock's "Mock-Form" kite

mesura, resources: Translucent Mediterranean (Fig. 8) — (Fig. 8)
Leo Matiz. Peacock of the Sea. Ciénaga Grande, Colombia. 1939

mesura, resources: Translucent Mediterranean (Fig. 9) — (Fig. 9)
Hawaii, 1967. Photo by Erna Fergusson

mesura, resources: Translucent Mediterranean (Fig. 10) — (Fig. 10)
Public Fountain LSD Hall, Klaus Weber (2003) "Public Fountain LSD Hall" is a single room installation by Klaus Weber commissioned by the Frieze Foundation for the Frieze Art Fair 2003

mesura, resources: Translucent Mediterranean (Fig. 11) — (Fig. 11)
Mario Merz, Igloo Fibonacci, 1970

mesura, resources: Translucent Mediterranean (Fig. 12) — (Fig. 12)
Ryan Kuo. "I made this collage of the virtual rooms you enter when you talk to Faith (2019). Each room corresponds to one of Faith’s confrontational or avoidant modes. It’s a map of a bad conversation, like the one you will have today and tomorrow."

mesura, resources: Translucent Mediterranean (Fig. 13) — (Fig. 13)
Technical And Scientific Drafting Template

(Fig. 1)

Studio Lernert & Sander X Volkskrant

(Fig. 2)

Helena Almeida, Work 36, 1978

(Fig. 3)

Transparent flower, unknown source

(Fig. 4)

Frothy waves captured by Delaney Allen

(Fig. 5)

Image by Julia Stotz

(Fig. 6)

Jacques Henri Lartigue

(Fig. 7)

Don Mock's "Mock-Form" kite

(Fig. 8)

Leo Matiz. Peacock of the Sea. Ciénaga Grande, Colombia. 1939

(Fig. 9)

Hawaii, 1967. Photo by Erna Fergusson

(Fig. 10)

Public Fountain LSD Hall, Klaus Weber (2003) "Public Fountain LSD Hall" is a single room installation by Klaus Weber commissioned by the Frieze Foundation for the Frieze Art Fair 2003

(Fig. 11)

Mario Merz, Igloo Fibonacci, 1970

(Fig. 12)

Ryan Kuo. "I made this collage of the virtual rooms you enter when you talk to Faith (2019). Each room corresponds to one of Faith’s confrontational or avoidant modes. It’s a map of a bad conversation, like the one you will have today and tomorrow."

(Fig. 13)

Technical And Scientific Drafting Template

(Fig. 14)

Inside Out, by Davy Evans

(Fig. 15)

Roca Pavilion, sketch by MESURA