Translucent Mediterranean

mesura, resources: Translucent Mediterranean (Fig. 3) — (Fig. 3)
Transparent flower, unknown source.

mesura, resources: Translucent Mediterranean (Fig. 4) — (Fig. 4)
Delaney Allen, Frothy Waves, 2020.

mesura, resources: Translucent Mediterranean (Fig. 5) — (Fig. 5)
Image by Julia Stotz

mesura, resources: Translucent Mediterranean (Fig. 6) — (Fig. 6)
Jacques Henri Lartigue, Florette Piozzo, juillet 1959.

mesura, resources: Translucent Mediterranean (Fig. 7) — (Fig. 7)
John Rose's Mini-Mock kite, 2010.

mesura, resources: Translucent Mediterranean (Fig. 8) — (Fig. 8)
Leo Matiz, Peacock of the Sea, 1939, Ciénaga Grande, Colombia.

mesura, resources: Translucent Mediterranean (Fig. 9) — (Fig. 9)
Erna Fergusson, Hawaii, 1967.

mesura, resources: Translucent Mediterranean (Fig. 10) — (Fig. 10)
Klaus Weber, Public Fountain LSD Hall, 2003, commissioned by the Frieze Foundation for the Frieze Art Fair 2003.

mesura, resources: Translucent Mediterranean (Fig. 11) — (Fig. 11)
Mario Merz, Igloo Fibonacci, 1970.

mesura, resources: Translucent Mediterranean (Fig. 12) — (Fig. 12)
Ryan Kuo, I made this collage of the virtual rooms you enter when you talk to Faith, 2019. "Each room corresponds to one of Faith’s confrontational or avoidant modes. It’s a map of a bad conversation, like the one you will have today and tomorrow."

mesura, resources: Translucent Mediterranean (Fig. 13) — (Fig. 13)
Technical And Scientific Drafting Template.

(Fig. 1)

Flowers, Studio Lernert & Sander X Volkskrant Magazine, 2022.

(Fig. 2)

Helena Almeida, Work 36, 1978.

(Fig. 3)

Transparent flower, unknown source.

(Fig. 4)

Delaney Allen, Frothy Waves, 2020.

(Fig. 5)

Image by Julia Stotz

(Fig. 6)

Jacques Henri Lartigue, Florette Piozzo, juillet 1959.

(Fig. 7)

John Rose's Mini-Mock kite, 2010.

(Fig. 8)

Leo Matiz, Peacock of the Sea, 1939, Ciénaga Grande, Colombia.

(Fig. 9)

Erna Fergusson, Hawaii, 1967.

(Fig. 10)

Klaus Weber, Public Fountain LSD Hall, 2003, commissioned by the Frieze Foundation for the Frieze Art Fair 2003.

(Fig. 11)

Mario Merz, Igloo Fibonacci, 1970.

(Fig. 12)

Ryan Kuo, I made this collage of the virtual rooms you enter when you talk to Faith, 2019. "Each room corresponds to one of Faith’s confrontational or avoidant modes. It’s a map of a bad conversation, like the one you will have today and tomorrow."

(Fig. 13)

Technical And Scientific Drafting Template.

(Fig. 14)

Davy Evans, Inside Out, 2020.

(Fig. 15)

Roca Pavilion, sketch by MESURA, 2024.

From the interplay of light on coastal waters to the overlapping narratives of ancient ruins and modern settlements, the Mediterranean embodies a dialogue between past and present, nature and human creativity. This research seeks to uncover how transparency and layering shape the identity and perception of this iconic region, and it is part of the Roca: Mediterranean Perspectives project.

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Translucent Mediterranean

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