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Monsoon, The Soul of India

(Fig. 1)

Video by Ankit Bhattacharjee.

mesura, resources: Monsoon, The Soul of India (Fig. 2)
(Fig. 2)

J.M.W. Turner, Snow Storm, Hannibal and his Army Crossing the Alps, 1812, Tate Britain, London.

mesura, resources: Monsoon, The Soul of India (Fig. 3)
(Fig. 3)

Photo by Kevin Christian.

mesura, resources: Monsoon, The Soul of India (Fig. 4)
(Fig. 4)

Leonardo da Vinci, A deluge, 1517–1518, Royal collection Trust, UK.

mesura, resources: Monsoon, The Soul of India (Fig. 5)
(Fig. 5)

Leonardo da Vinci, A deluge, 1517–1518, Royal collection Trust, UK.

mesura, resources: Monsoon, The Soul of India (Fig. 6)
(Fig. 6)

Natural water courses, drawing by MESURA.

mesura, resources: Monsoon, The Soul of India (Fig. 7)
(Fig. 7)

Leonardo da Vinci, Studies of water, 1510–1512, Royal collection Trust.

mesura, resources: Monsoon, The Soul of India (Fig. 8)
(Fig. 8)

Etienne Jules Marey, quatrième et dernière version de la machine à fumée, équipée de 57 canaux, 1901, Paris, Cinémathèque française.

mesura, resources: Monsoon, The Soul of India (Fig. 9)
(Fig. 9)

The Mississippi River meander maps designed by Army Corps of Engineers cartographer Harold Fisk.

mesura, resources: Monsoon, The Soul of India (Fig. 10)
(Fig. 10)

The dry bed of a reservoir on the outskirts of Chennai, India. Photograph by Arun Sankar, AFP.

mesura, resources: Monsoon, The Soul of India (Fig. 11)
(Fig. 11)

Flying pelican captured by Marey around 1882. He created a method of recording several phases of movement superimposed into one photograph.

(Fig. 1)

Video by Ankit Bhattacharjee.

(Fig. 2)

J.M.W. Turner, Snow Storm, Hannibal and his Army Crossing the Alps, 1812, Tate Britain, London.

(Fig. 3)

Photo by Kevin Christian.

(Fig. 4)

Leonardo da Vinci, A deluge, 1517–1518, Royal collection Trust, UK.

(Fig. 5)

Leonardo da Vinci, A deluge, 1517–1518, Royal collection Trust, UK.

(Fig. 6)

Natural water courses, drawing by MESURA.

(Fig. 7)

Leonardo da Vinci, Studies of water, 1510–1512, Royal collection Trust.

(Fig. 8)

Etienne Jules Marey, quatrième et dernière version de la machine à fumée, équipée de 57 canaux, 1901, Paris, Cinémathèque française.

(Fig. 9)

The Mississippi River meander maps designed by Army Corps of Engineers cartographer Harold Fisk.

(Fig. 10)

The dry bed of a reservoir on the outskirts of Chennai, India. Photograph by Arun Sankar, AFP.

(Fig. 11)

Flying pelican captured by Marey around 1882. He created a method of recording several phases of movement superimposed into one photograph.

The Monsoon unfolds as an expedition into chaos, genesis, and devotion in a realm of faithful inhabitants. It ventures into a landscape where the forces of nature, scientific inquiry, religious convictions, and marvel unite in one of the planet's most awe–inspiring and stunning terrains. This is a non–linear process where natural cycles never stop happening, interfering with human processes of space production. This research is part of the development of the Indian Beach Houses project.

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