First Artistic Approach
![mesura, resources: First Artistic Approach (Fig. 1)](https://cdn.sanity.io/images/xgk7j7tp/production/46dec5557b97a226854058c434b4e150a060ae4e-1600x1147.jpg?w=1920)
Cosmogonie pluie (COS 22), 1961, Yves Klein
![mesura, resources: First Artistic Approach (Fig. 2)](https://cdn.sanity.io/images/xgk7j7tp/production/880487935c5590a57f767c41be1f5acf30bb83d7-1200x1694.jpg?w=1920)
Capilla Scrovegni, Padua, 1300
![mesura, resources: First Artistic Approach (Fig. 3)](https://cdn.sanity.io/images/xgk7j7tp/production/c183067e4040535e366749979a0cddb0875e3e9a-1295x995.jpg?w=1920)
Joan Miró, azul 1, 1961
![mesura, resources: First Artistic Approach (Fig. 4)](https://cdn.sanity.io/images/xgk7j7tp/production/bc13d6ca652741c013a38a96e7c0203f75d053b6-1287x994.png?w=1920)
Joan Miró, azul 2, 1961
![mesura, resources: First Artistic Approach (Fig. 5)](https://cdn.sanity.io/images/xgk7j7tp/production/b8ab8024cd8d4ebe565c42c2e4e52addf79fdbec-1155x1600.jpg?w=1920)
ŒUVRE, 1956 Monochrome bleu sans titre, Yves Klein
![mesura, resources: First Artistic Approach (Fig. 6)](https://cdn.sanity.io/images/xgk7j7tp/production/c1d34ec48389a2141022dec80b93288859783029-401x600.jpg?w=1920)
PUBLICATION, 1974 Yves Klein le Monochrome, Yves Klein
![mesura, resources: First Artistic Approach (Fig. 7)](https://cdn.sanity.io/images/xgk7j7tp/production/7df7b71bfa4922ba53e1fadd48d3031c01e915f9-1600x1316.jpg?w=1920)
ŒUVRE, 1961 Suaire de Mondo Cane, Yves Klein
![mesura, resources: First Artistic Approach (Fig. 8)](https://cdn.sanity.io/images/xgk7j7tp/production/cc9d70f1e6eab845e3c37770fdbf9a0f6a31725a-1276x1600.jpg?w=1920)
PHOTO, 1960 Yves Klein carrying out Anthropometry in his workshop
Cosmogonie pluie (COS 22), 1961, Yves Klein
Capilla Scrovegni, Padua, 1300
Joan Miró, azul 1, 1961
Joan Miró, azul 2, 1961
ŒUVRE, 1956 Monochrome bleu sans titre, Yves Klein
PUBLICATION, 1974 Yves Klein le Monochrome, Yves Klein
ŒUVRE, 1961 Suaire de Mondo Cane, Yves Klein
PHOTO, 1960 Yves Klein carrying out Anthropometry in his workshop
Around 1700, “Prussian Blue”, considered the first artificial pigment, was created. In these explorations, we go on an artistic tour alongside Edouard Adam, who helped Yves Klein discover the formula for his dazzling blue. Where are the limits of color? From abstract expressionism and its infinite lines to the vastness of the horizon, the starry sky of Padua, or the reflection on the sea. An immense body of water: Aiguablava. This research is part of an ongoing project.