First Artistic Approach

mesura, resources: First Artistic Approach (Fig. 3) — (Fig. 3)
Joan Miró, azul 1, 1961.

mesura, resources: First Artistic Approach (Fig. 4) — (Fig. 4)
Joan Miró, azul 2, 1961.

mesura, resources: First Artistic Approach (Fig. 5) — (Fig. 5)
Yves Klein, Monochrome bleu sans titre, 1956.

mesura, resources: First Artistic Approach (Fig. 6) — (Fig. 6)
Pierre Restany, Yves Klein le Monochrome, Editorial Hachette littérature, 1947.

mesura, resources: First Artistic Approach (Fig. 7) — (Fig. 7)
Yves Klein, Suaire de Mondo Cane, 1961.

mesura, resources: First Artistic Approach (Fig. 8) — (Fig. 8)
Yves Klein carrying out Anthropometry in his workshop, 1960.

(Fig. 1)

Yves Klein, Cosmogonie pluie (COS 22), 1961.

(Fig. 2)

Capilla Scrovegni, Padua, 1300.

(Fig. 3)

Joan Miró, azul 1, 1961.

(Fig. 4)

Joan Miró, azul 2, 1961.

(Fig. 5)

Yves Klein, Monochrome bleu sans titre, 1956.

(Fig. 6)

Pierre Restany, Yves Klein le Monochrome, Editorial Hachette littérature, 1947.

(Fig. 7)

Yves Klein, Suaire de Mondo Cane, 1961.

(Fig. 8)

Yves Klein carrying out Anthropometry in his workshop, 1960.

Around 1700, “Prussian Blue”, considered the first artificial pigment, was created. In these explorations, we go on an artistic tour alongside Edouard Adam, who helped Yves Klein discover the formula for his dazzling blue. Where are the limits of color? From abstract expressionism and its infinite lines to the vastness of the horizon, the starry sky of Padua, or the reflection on the sea. An immense body of water: Aiguablava. This research is part of an ongoing project.

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First Artistic Approach

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